Griffith Observatory
Los Angeles
Story
Griffith J. Griffith shot his wife in 1903, served two years in prison, and then tried to give Los Angeles a public observatory. The city refused his money for over a decade. When he died in 1919, his will forced the issue — and the observatory that opened on May 14, 1935, has charged no admission since its first day, exactly as he demanded. Over 9 million people have looked through the 12-inch Zeiss refracting telescope in the east dome, making it the most-used public telescope on Earth. Most of those visitors never notice what's directly above them in the Central Rotunda.
Hugo Ballin spent years on the ceiling murals up there — eight allegorical figures representing the atoms of the universe, surrounded by the signs of the zodiac and the pantheon of astronomers. Ballin finished them in 1934, a full year before the building opened, and they were restored during the $93 million renovation that brought the observatory back in November 2006. The restoration is thorough enough that the paint reads fresh, which makes it easy to dismiss the murals as decorative. They are not decorative. Each figure is a thesis about humanity's place in the cosmos, rendered in the visual language of Beaux-Arts allegory at the exact moment that language was going out of fashion. Below them, the Foucault pendulum swings in its slow arc, knocking over pegs as the Earth rotates beneath it — the same demonstration visitors encountered on opening day in 1935, still running, still correct.
What to Spot
The Hugo Ballin ceiling murals in the Central Rotunda — eight large allegorical figures painted in muted golds, greens, and ochres encircling the base of the dome, each representing a fundamental element of the universe.
Bonus Finds
- The Cosmic Connection hallway, running 150 feet between the main building and the underground galleries, embeds the entire history of the universe into its floor and walls using hundreds of individual pieces of astronomy-related jewelry — each one marking a moment in cosmic time.
- The Big Picture in the lower Gunther Depths of Space Hall is the largest astronomically accurate image ever constructed: 152 feet wide and 20 feet tall, depicting the Virgo Cluster of galaxies at a resolution fine enough to examine with your face inches from the surface.
- The exterior frieze runs a continuous Greek key pattern around the building's perimeter — a small but precise gesture that ties the Moderne structure back to classical antiquity, and easy to walk past entirely.
- The original 1964-vintage Zeiss Mark IV star projector, replaced in 2006 by the current Mark IX, survives in the underground exhibit level — a spherical machine that looks like a prop from a science fiction film and once projected the sky for Apollo astronauts training for lunar missions.
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Sightings
- Rebel Without a Cause (1955) — James Dean's climactic confrontation unfolds on the observatory terrace and interior, cementing the building's image as a monument to teenage longing — a bronze bust of Dean now stands on the grounds.
- The Terminator (1984) — The observatory exterior appears early in the film as the arrival point for Arnold Schwarzenegger's T-800, grounding the science-fiction premise in a recognizable Los Angeles landmark.
- La La Land (2016) — Mia and Sebastian dance above the city lights inside the planetarium in a scene that floats between realism and fantasy, using the rotunda and dome as the backdrop for the film's central romance.
Plan your visit
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Photo: Scavtopia Team / Public domain